Revision, History, and Other Things I’m Trying Not to Think About Right Now

It’s been a pretty productive week for me. Consequently, it’s also been a terrible one for my characters. I managed to push through the spot I was stuck on last week. I’m in the middle of putting the pieces together for the main crux of Grim History’s first arc. They’ve gathered in one place, now I have to keep pushing them along.

The story is rough at the moment. Despite being on my mind since 2017, Grim History is still a first draft. Everything is new, uncharted territory. Often imagined, never dedicated to words. It has a ton of issues. I’m painfully aware of it but I’m resisting the temptation to look back and start editing. The last time I started to do edits before finishing the story, I decided the whole thing needed to be reworked. I started at square one again. I’ve got a nasty habit of throwing the whole thing away when I get hung up on one issue.

I’m getting into the habit of writing down perceived issues in a separate document and then moving on. Maybe a note or two on improvements but not too much else. And trust me, there’s no shortage of them. In the document, they’re broken down into the following categories: Setting, Characters, Plot, and Structure. Pretty self-explanatory, right? I plan on going into more detail about each in other blog posts but “Setting” has been especially on my mind this week.

Though Grim History isn’t strictly a historical fiction, I still want to ground it in a specific time and place in American history. Admittedly, I’m not a puritan for historical accuracy. Historical accuracy is hard to judge in fiction (or media in general) especially as our understanding of the past keeps evolving. And also, that concept violently lunged itself out the window since this particular story is teeming with spirits, vampires, and other supernatural creatures that influence the events on this make-believe historical setting. But I do want enough information that a reader can believe its in a specific time and place. The time is more or less set—the early 1840s–but I’m starting to flip flop on where it takes place.

First draft wise, this isn’t important. The details will come in through revision and tons of research. Two things that I won’t commit to until after the first draft.

So that’s where I am at the moment. I’m currently 15 parts into the story and still going strong. I predict the climax is a good three parts down the line though. My goal is to get Arc 1 finished by mid-July.

We’ll see how that goes.